I would love to know the full story of how Andrzej Bartkowiak went from being cinematographer on Terms of Endearment and almost everything Sidney Lumet made in the 1980s to directing three movies in four years with DMX (RIP).
Two names. Two boyfriends. Two best friends. Two semesters. Two school plays. Two dances. Two parties. Two distinct relationships with her parents. Two potential colleges. Two churches. And a hundred million kajillion tears for the scene at the airport.