Connor Devlin’s review published on Letterboxd:
Not my cup of tea, but I can appreciate it. Having access to subtitles helped. I don’t think anything here is particularly deep or groundbreaking, but I still applaud Christopher Nolan’s push for high-concept, big-budgeted original stories. You get the sense he’s one of the very few modern directors who know how to balance keeping one foot in the past and the other toward the future. And here's another reminder that Elizabeth Debicki is a goddess.