Mannequins and NIN within the first minute. Marco Beltrami brought his Scream choir. Why didn’t I get to direct this?
Charles Band's current formula seems to consist of regurgitating footage from previous productions combined with a highly unlikely lipstick lesbian cast. Barely scraping an hour with lengthened titles and even longer inserts of footage form The Killer Eye (as well as jabs at original director David DeCoteau's sexuality) it's a long way from the days of the Paramount distributed Full Moon (which DeCoteau helped build). Rewatch Trancers or Puppetmaster instead the Full Moon has set.