Its called in the heights because if you liked this you should go jump off the nearest one
Painfully stupid. Only makes criticisms based on cherry picking and decontextualization. Aims to delegitimize the growing general social discontent owed to the growing awareness of the increasingly stark economic disparities of the rapacious oligarchy we all live under by essentially being an 1.5hr long boomer comic about phones being bad.
Everyone involved in the making of this, including every single well-to-do interviewee, should be publicly shunned as dirtbag propagandists.
The success of this movie just goes to show the soul crushingly low standards women-driven projects have. This is complete trash for women and gay men to go “yaaaas queen” for the duration of the run time. Think the Oceans 8 equivalent to Magic Mike.
These insultingly low standards also seem to extend to the moral indignation this community is usually all too quick to bring up, as there’s no mention of the inclusion of self-confessed rapist Cardi B; but hey I guess women date raping men is empowering now or whatever.
IS THAT MIDSOMMAR THE NEWEST A24-PRODUCED, GENRE-REDEFINING, TROPE-SUBVERTING, ATMOSPHERIC, DARK AND EERIE, EMOTIONALLY DRAINING, GUT WRENCHING, AESTHETICALLY HEAVY CRAFT BY POST-HORROR AUTEUR WITH AN ARTHOUSE EDGE, DREAD-INDUCING, SUSPENSEFUL BUILD UP WITH STRONG CHARACTER DEVELOPMENT AND GRADUAL FEELING OF ESCALATION, BONE-CHILLING SLOW BURN WITH “SAY MORE WITH LESS” APPROACH AND SOUL-SHAKING, BLOOD-CURDLING, SKIN-CRAWLING AND NERVE-WRACKING EXERCISE IN PERSISTENTLY LOOMING DREAD WHERE TENSION AND ANXIETY PERMEATES EVERY FRAME AS MOVIE REACHES ITS NAIL-BITING, JAW-CLENCHING AND PARANOIA-INDUCING FINAL CLIMAX, FREE OF ANY CHEAP GORE, CARTOONISH CGI OR INFANTILE JUMPSCARES HORROR FILM