Mr. Kindergelt

Mr. Kindergelt

Pro

In Secret,
I wish for,
Under my own,
Every Night,
Caught in dreams,
I'll cry,

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  • The Hedge Theater

    The Hedge Theater

    ★★★★½

    The tangibility this promises is assuredly one of linguistic discovery. Beavers maps out a portrait that reckons the metaphysical interplay of an edit (both an extremely physical practice and one of total abstraction) with the camera's irreducible act of rendering anything into an object. When we point, then, the camera at ourself, at those we love - how will we reconcile with that process of -ification? Beavers intervention is one combative on all fronts: lacing through the historical and natural…

  • Gerry

    Gerry

    Would be a perfect schismatic follow-up to Psycho, had one feature not come in-between. Feels as much like a reorganization of identity-as-signified between the character(s), as it does between ourselves as viewers and Damon/Affleck as personalities (of course, watching this today very much shades a lot of that). The dissonance of watching them in the contexts of something as durationally minded as this, thats only quivers see their interaction as represented by an amorphous characterization [lack of narrativity + a…

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  • Batman v Superman: Dawn of Justice

    Batman v Superman: Dawn of Justice

    ★★★★½

    It’s rare to see a postmodernist perspective on the superhero film culture, a culture so deeply rooted in the traditions of a mindset rooted in escapism - a response to a world in the midsts of pre-nuclear wars. Comic book films have been so pre-occupied with capturing the essence of thematics contained within the source material that, while a substantial amount of the particulars are certainly relevant, there has been no attempt to transform our perceptions of such historically grandiose…

  • Twin Peaks: The Return

    Twin Peaks: The Return

    ★★★★★

    It's playing theatrically in MOMA. Can we leave it on, now?