O problema desse filme é que ele termina. Como contra-argumento, não podia terminar de melhor maneira.
Still my favorite film about 9/11, and the scars that it left, and the traumas that it caused in the American society. Let’s not forget that M. Night is a filmmaker that is constantly talking about trauma.
One of the first shots of the film is a weird handheld shot that feels totally misplaced in Roger Deakins’ beautiful cinematography. The shot ends on a gravestone, which is assumed to be one of the gravestones that help keep the story of…