Favorite films

  • Amélie
  • A Girl Walks Home Alone at Night
  • In the Mood for Love
  • Her

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  • The Jews

    ★★★★

  • What We Do in the Shadows

    ★★★★½

  • The Matrix Resurrections

    ★★★½

  • Don't Look Up

    ★★

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  • The Matrix Resurrections

    The Matrix Resurrections

    ★★★½

    Best you can expect from a popcorn movie sequel ip thing. I had a lot of fun, the film is very aware of what it is, and it genuinely looks great. Doesn't do anything very revolutionary, or dangerous, or particularly visceral emotionally, but I enjoyed it a lot and everyone is very sexy in this.
    Also Bugs. I love her, I wish she was given a character arc.

  • Don't Look Up

    Don't Look Up

    ★★

    If you ever doubt the power of a single cut in a film, just watch "Don't Look Up". It comes at precisely 01:33:13 of the showtime. That was the specific moment that a single cut killed my hope that this movie was going to turn around and be good. There is a comet that is going to kill all life on Earth. With 99% certaintety, according to scientists. That causes all sorts of political debates that are expected in the…

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  • Titane

    Titane

    ★★★★

    After the credits rolled, I walked out with a distinct feeling of not being able to tell if I enjoyed the film or not, which, after mulling over, usually ends up with me deciding that I did. Some reporter was trying to ambush audience members to get reviews right outside the Palais de Cinéma, and I, with two other girls I saw it with, scurried off to avoid her, because we were not ready to talk about it three seconds…

  • Annette

    Annette

    ★★★★½

    This is such a one-of-a-kind cinematic experience, holy shit.
    As a fan of Carax's form, I enjoyed the film a lot, even though its mise-en-abime exploration between the artist and the audience and what it means to make art (and movies) doesn't quite live up to his previous film, "Holy Motors". It has moments of such pure emotion, that Oh! feeling in your stomach that only few films can provide, notably with the scene when the accompanist talks about being…