Karsten Runquist’s review published on Letterboxd:
So violent and so innocent. I honestly can’t remember if Araki had this many shots of characters looking directly into the camera in his other work but that choice is working stronger than ever here. What I really appreciate about this is how he’s capturing the manipulation in all forms of abuse. His use of shoegaze also does so much as far as romanticizing not these specific events but adolescence. I just felt very close to Neil by the end, as though I was one of those little moons orbiting around him. I'll never forget about this movie.