Rarely os a movie this willing to go to such weird lengths to make its emotional points. It largely works, I think. A bit like “Taken” with a lot of unlicensed psychotherapy.
This review may contain spoilers. I can handle the truth.
Way, way back in “Episode V," when Darth Vader revealed himself to Luke Skywalker as his father, it felt like an earthquake. Suddenly a deep, telling connection was revealed, and it totally changed the way we understood the story being told.
In J.J. Abrams’s monumentally stupid “Episode IX,” _everything_ is connected, everyone is related to everyone else, and it couldn't be less surprising, less impactful, because when everything is meant to be important, nothing is. Abrams has perverted the whole…
This is what usually happens: a film creates a compelling fantasy world and fans clamor for more. So sequels build that world out, they show more of its mechanics, its people, its history. But “John Wick: Chapter 3—Parabellum” demonstrates one little acknowledged principle of escalated world building: the inevitable outcome is bureaucracy.
Any fantasy (and the Wick-verse is as fantastical as any franchise) relies as much on what it doesn’t reveal as on what it does, leaving enough to the…