Kall S

Uni student of media culture, film addict, freelance writer, singer-songwriter.

Favs are some personal all-timers


Favorite films

  • Sing Street
  • Almost Famous
  • Before Sunset
  • La La Land

Recent activity

All
  • The Craft

    ★★★★

  • Evil Dead

    ★★

  • The Babysitter: Killer Queen

    ★★★

  • How to Build a Girl

    ★★½

Recent reviews

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  • The Craft

    The Craft

    ★★★★

    I mean, how underrated is this? It’s just so bold an wild and fun.

    At first you think you’re basically watching a teen comedy and then it sweeps you off your feet in the second half. Obviously it’s a bit dated in some regards, but it’s so irresistibly entertaining. The perfect combination of light and dark.

    The whole late 90’s aesthetic nostalgia and the recent rise of the witch subculture makes me think this should be super popular right now in 2021. 

    I have to say this Fairuza Balk era was brilliant, she’s so unique and energetic in these films.

  • The Babysitter: Killer Queen

    The Babysitter: Killer Queen

    ★★★

    This was… pretty good?

    It’s just too much fun for me to care about how dumb it is in some regards. Especially considering Samara Weaving was easily the best part of the first part, this was surprisingly solid. 

    Also, I thought Jenna Ortega was Auli’i Cravalho the whole time.

Popular reviews

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  • Manhattan

    Manhattan

    ★★★

    As if any of those women would actually put up with Woody Allen's annoying face for five minutes.

  • The Reader

    The Reader

    ★★★½

    Firstly, I've never a seen a film with as much peeking as the first 10 minutes of this film.

    Secondly, David Kross was the real star, better than Winslet, whose career award was very deserved though.

    The most interesting way to interpret this...

    Michael is a victim of abuse. His emotional development stops at 15. He's incapable of forming healthy relationships because of his childhood experiences that he has falsely classified as love. 

    Hanna is a monster, partly responsible for the distant relationships of Michael's future. Michael only gets some true redemption when he finally opens up about his adolescent experiences to his daughter.