Director Haigh sets up an atmosphere and presents elusive symbols that give us the feeling of a haunted house drama. The hallway door gradually closes; Kate comments about ‘smelling Katya’s perfume around the house’; a hidden memory stays in the attic and possesses & breaks Kate’s placid mindset. These metaphorical Zen frames about ‘ghosts of the past’ (or ‘skeletons in the closet’) perfectly show how the aura of a long-dead person is creating turbulence in the minds of the couples.
45 Years (2015): An Explicit Relationship With Memories
Political activist Kazuhiko Hasegawa directed only two movies, The Man Who Stole the Sun being his second and last. It was said that his mother was pregnant with him and living in Hiroshima when the atom bomb was dropped there. Screenwriter Leonard Schrader lived in Japan for many years. He has also collaborated with his brother Paul Schrader on the scripts of Blue Collar (1978) and Mishima: A Life in Four Chapters (1985). Moreover, many critics draw comparisons with the…
Ever since Malayalam cinema underwent a renaissance in the past decade- with the influx of new-age filmmakers creating some groundbreaking work, it has been unarguably the foremost film industry in India when measured by the quality of films produced. If the 2000s were the worst years for Malayalam movies, then the best era was definitely the 70s and 80s, which witnessed the rise of the New Wave and Middle cinema respectively.