Synopsis
Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey. Their motto: "Fuck the world".
1992 Directed by Gregg Araki
Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey. Their motto: "Fuck the world".
Vivir hasta el fin
Been meaning to dive head first into Gregg Araki's work for awhile now as he is one of most important figures in LGBTQ cinema. All I really know going into this is that his work is known for being unapologetic, rebellious, and dark. This was all of that and done at such a chaotic level that I wasn't prepared for. Can truly say I don't know a film that uses punk better than this. It goes so much further with themes of mortality than you think it will and it does it in a really beautiful way. I am very on board with this style and have a mix of fear and excitement about diving deeper.
Would love to add…
In what was clearly meant to be, I watched this film on the day that its story begins, April 13. A gulf of time separates the then from the now, so far that the ends of the snake are beginning to touch even as I write this. The Living End takes place at the tail end of decades of tolerated genocide, of purposeful inaction by a United States Government which had determined that the unchecked spread of AIDS was in its best interests as it primarily affected gay men, IV drug users, and 'The Third World'. A plague that could be encoded for propaganda purposes as the Judgment Of A Wrathful White Straight Heterosexual Male God upon a libertine society…
Live fast, die young, leave a beautiful corpse.
Now this is a queer punk flick I can get behind. I absolutely adored the first Gregg Araki film I saw, Nowhere, and though this doesn't quite match up to the sheer amount of insanity and adoration I found with that, I liked The Living End my fair share. Here we find unlikable men in an even more unlikable world. The extreme "Be gay, do crimes." feature. There's only so long you can poke and prod someone before they want to poke and prod you back even harder. It's a film that, like other notable 80s and 90s queer art, serves as a tragic reminder of all the great artists and people…
Gregg Araki was far too ahead of his time, but even now it seems that we're also not fully ready for him either.
The Living End may be his most chaotic movie thus far, but as a picture of the paranoia that one felt when living amidst the AIDS crisis, especially as a part of a marginalized community. As a scream off into the distance from the queer people who were often shut out, The Living End isn't just a loud scream against the bourgeoisie, it's a film that captures the anger we feel about the world at large - and it also results in something incredibly heartbreaking.
Might probably be my favourite of Gregg Araki's films - at least from what I've seen.
Imagine: It’s 1992, you are a gay man living in George Bush Sr.’s America, you’re a mildly successful film critic with a place of your own and a best friend who knows you better than you do yourself. And you have just found out you are HIV-positive. Do you sit back and let the sickness take you slowly as you struggle to keep up with normality, or do you give the world a giant ‘fuck you’ and live like you’re trying to die, not like you are dying?
Gregg Araki’s 1992 film The Living End aims to explore this in a fable that comes with a tell-tale warning before the opening credits: ‘An irresponsible film by Gregg Araki’. The then…
This synopsis though:
Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto "Fuck the world".
This was awesome and Gregg Araki rules.
barbie cereal?? these are the coolest people ive ever seen! love mary woronov but where the fuck is paul bartel in this - did i miss something??? "twister master" what the fuck is that
edit from the comments - pretend i wrote something real good about 2 poz guys with "the virus" in them raging against assimilation & productivity in dedication to "the hundreds of thousands who will die because of a big white house full of republican fuckheads" but i just want someone to tell me where paul bartel is in this!!!!
✔️ Be gay
✔️ Do crimes
✔️ Go into severe depression for two weeks when Echo and the Bunnymen break up
Gregg Araki movies make me swoon. Existentialism has never been steamier, nor more seething.
Your doctor says you've got AIDS and a limited time to live. . . wyd?
Rats off to Gregg Araki for creating a universal death sentence what if scenario. No matter if you're gay or straight, the thought of fucking the world and doing what thou wilt after receiving the worst news imaginable strikes a primal chord. I love this movie as a transgressive scream from a marginalized community, a clever sophisticated method of milking a low budget with dash cam shots of high profile landmarks from Circus Liquor to the Golden Gate Bridge, and a giant middle finger to the bourgeoise filmmaking community at large. And OF COURSE the apartment production design is typically out of this world Araki amazing. If you ever felt a cough spike into a heave or felt elbowed to the sides of society or just hate humans in general, do yourself a favor and absorb this movie in quarantine.
love that araki truly said "i don't give a fuck about your positive imagery"
cant put into words how gregg araki’s movies make me feel and how much i love them. get really sad at the end of each one knowing i’ll never be able to watch it for the first time again
Van benne egy jelenet, amikor a horny filmkritikusnak meg kellene írnia egy cikket a mozi haláláról, de leül a gép elé, és csak annyit képes legépelni, hogy FuckFuckFuckFuckFuck hosszú sorokon keresztül, és hát I feel seen.
“We’re not like them, we don’t have as much time . . . so we’ve gotta grab life by the balls and go for it”
Making this film is just about the best use of $20,000 (~$38,000 in 2020 dollars) that I could possibly think of. It's a fiery, sexed-up, romantic, anti-establishment scream into the void from the twilight years of the 20th century. As he so aptly put its, this is an irresponsible movie by Gregg Araki, and it accordingly paints a pretty damning picture of those living quote-unquote "responsibly". In classic Araki fashion, he makes no concessions to the heterosexual gaze and no concessions to a selfish government that systematically ignores the deaths of its citizens when it's…
Gen X as hell, very much homage to the Godard films on the posters that line Mike's walls. A little too rapey and angry but early 90's alt Los Angeles is, as always, a delight. A lot of this was filmed on my street so thats COOL.
What a beautiful film, got me fucked up and SO horny. Certainly reflects the title, Araki’s studs are really something you don’t see nowadays huh 🤔
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