Synopsis
Pray for Rosemary's Baby
A young couple moves into an infamous New York apartment building to start a family. Things become frightening as Rosemary begins to suspect her unborn baby isn’t safe around their strange neighbors.
1968 Directed by Roman Polanski
A young couple moves into an infamous New York apartment building to start a family. Things become frightening as Rosemary begins to suspect her unborn baby isn’t safe around their strange neighbors.
Mia Farrow John Cassavetes Ruth Gordon Sidney Blackmer Maurice Evans Ralph Bellamy Victoria Vetri Patsy Kelly Elisha Cook Jr. Emmaline Henry Charles Grodin Hanna Landy Phil Leeds Hope Summers D'Urville Martin Marianne Gordon Wende Wagner Toby Adler Rutanya Alda Bill Baldwin Walter Baldwin Roy Barcroft Charlotte Boerner Gail Bonney Yvonne Bouvier Carol Brewster Lynn Brinker Sebastian Brook William Castle Show All…
罗丝玛丽的婴儿, Nastro rosso a New York, 失婴记, 失嬰記, Rosemarie's Baby, 로즈메리의 아기, Wat Is Er Toch aan de Hand met Rosemary's Baby?
flawless except for the few seconds in the credits when r*man p*lanski's name is on-screen
If I lived in that fucking gorgeous apartment in The Dakota you wouldn't see me complaining about my demon baby
“One workday, while we were waiting to shoot, Roman was discoursing about the impossibility of long-term monogamy given the brevity of a man's sexual attraction to any woman. An impassioned John Cassavetes responded that Roman knew nothing about women, or relationships, and that he, John, was more attracted than ever to his wife, Gena Rowlands. Roman stared at him and blinked a few times, and for once had no reply.”
- from Mia Farrow’s memoir
ah! the anecdote that made me start a rumor that my ghost husband/short king john cassavetes actually directed this motion picture (don’t fact-check this)! now i can cope with giving it 5 stars :)
rosemary
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The energy radiating off this thing is so unwelcoming and uneasy but so interesting. I feel like a lot of that comes from the performances, they were all so bizarre but so right. Felt like 90 minutes! One of the coolest movie posters ever also.
“Shut up, you’re in Dubrovnik, I don’t hear you.”
I don’t love being a Roman Polanski stan in 2021, but here we are, this is undoubtedly one of my all-time favorites (and credit is due to also to Ira Levin’s acidic source material, Mia Farrow and Ruth Gordon, William A. Fraker’s naturalistically paranoid cinematography, Krzysztof Komeda’s earworm of a score, and so many others).
A horror movie, a comedy of manners and also one of the great New York City time capsules, so endlessly funny and sinister and evocative of the time and place and people that made it. Leads you to such an unexpected, absurd but strangely recognizable place, with such an inexorable, insidious internal logic.
Didn't expect this to be so anxiety-fueled. Use of the score, and often lack of, makes it even more intense.
The lullaby played in the beginning sequence of the film is a perfectly preparation for the next minutes of the film.
The scenario with a very rich content, will successfully challenge the viewers of the film with the elements of psychological tension, the evil that can be seen in even the most innocent person, what the ambition to be successful can cause, marriage, friendship, neighborhood, insecurity in patient-doctor relations and motherhood.
This film is just fantastic. The tone of this film is amazing and the ending is fucking nuts.
Criterion Challenge 2021
4. Horror
An uneasy, paranoia-filled nightmare of the occult. Rosemary’s Baby unravels like a blunt mystery where you know exactly what’s going to happen before each twist is revealed but still feel shocked and entertained along the way.
Surprising and eerie in every way - understandably a horror classic.
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