Synopsis
They Make It Every Night
The three surviving daughters of a murdered moonshiner band together with a racecar driver to run high-test shine behind the corpulent backs of the local likker syndicate.
1977 Directed by Gus Trikonis
The three surviving daughters of a murdered moonshiner band together with a racecar driver to run high-test shine behind the corpulent backs of the local likker syndicate.
Bloody Whiskey, Sciacalli si muore
Superior casting can't elevate this moonshine movie from dragging through most of the middle. There's some good shootouts and car chases at the beginning and last act, but that's about it. More emphasis on the three sisters played by Susan Howard, Claudia Jennings, and Maureen McCormick might have helped. Less exploitation than most of its kin.
Those familiar with the genre will recognize John Saxon in the Burt Reynolds role, William Conrad in the Boss Hogg role, Dub Taylor in the Dub Taylor role, and Morgan Woodward in the cigar chomping role. Check out the relatively rare New World logo in the pre-credits roll.
"Hey, got a Mustang. Wanna buy it?"
"Is it fast?"
"Faster than a dollar massage. Excuse me. It's fast alright. Set it up for myself."
Moonshine County Express is essentially a higher stakes version of The Dukes of Hazzard where the rival moonshine runners aren't above killing their competition and the idiot police are actually trying to their jobs, they're just kind of shit at it. A 21 year old Maureen McCormick plays a 16 year old moonshiner who drinks and shoots and my inner child who will forever remember Marcia Brady fondly was pleased as punch to witness it.
Easily forgettable,yet watchable high rent "Duke's of Hazard" cash in.
Fully going in on the tough sisters instead of having John Saxson bail them out probably would have helped make this standout from the other car chase/anti authority films of the era.
From looking at the poster and reading the description, you'd think this was yet another 70s sexploitation/hicksploitation movie, but actually it's not at all; instead, it's a relatively well-mannered entry in the country-people-in-fast-cars-running-moonshine subgenre. And the shocking thing is … it's really not that bad. Sure, the camerawork sometimes looks amateurish, and there might not be quite enough car chase action to please the most discriminating of Southern outlaw movie aficionados, but the cast is good, the cars are fast, and I think Marcia Brady cries real tears at one point. Maybe I'm overselling it at three and a half stars, but if you're a simple person like me who sometimes just wants to sit down and watch angry women…
Who can possibly say no to a cast like this? Susan Howard and Claudia Jennings, as the best looking hillbillies ever, John Saxon as a stock car hotshot and moonshine runner, William Conrad, Jeff Corey and Dub Taylor. Not to mention that it comes from New World Pictures.
Surprisingly the movie doesn't quite live up to expectations, despite an opening sequence in which a rival gang attack a bunch of 'shiners (led by the father of the aforementioned gals), kill them all, steal the whiskey and blow up the entire operation, just to make sure.
After that the girls learn of a legendary stash which was left to them by their father, and do their best to sell it in…
An impressively swiftly-produced Smokey and the Bandit riff featuring John Saxon in the Burt Reynolds role. The whole thing's about as cheap in a production value sense as one would expect, which it more than makes up for by being an extremely fun hang.
Solid chases and some fun characters with good chemistry. Bootlegger flicks are a sorely missed genre.
If you're just looking for a bit of light-hearted redneck fun (and who isn't from time to time?), this ain't exactly Smokey and the Bandit. It actually preoccupies itself in being a fairly turgid family drama / smalltown crime procedural for about an hour. But it really picks up speed in the final act and there are some great chase scenes and a fair amount of nastiness from the baddies which raises the stakes greatly.
Again, and I've said it before, here's another Corman exploitation flick that feels positively feminist compared to the torrent of craven #metoo politically corrected thrillers spewing out of Hollywood right now. Maybe it's unintentional, but that just goes to show how far backwards we've come in some ways since the 70's, which is a really curious thought.
Why is this at pains to spend all its idle character moments with all the shitty dudes and their miserable grab-ass interludes instead of the three sisters whose story this ostensibly is? This would be fun without the constant engine whine sexism, or maybe it could at least try for some last-minute bonus penance points by dishing out comeuppances that weren't so unsatisfyingly mild. Also, one of the sisters is Marcia Brady.
Is it “good”? Not really. Is it watchable? Sure! I’m miffed no one told me about this one back when I religiously watched The Dukes of Hazzard.
These cheap Southern-fried flicks from the ‘70s aren’t exactly renowned for their positive depictions of women but Moonshine County Express at least puts the work in to make the Hammer sisters relatively interesting and give them more to do than you’d expect. John Saxon makes for a decent Burt Reynolds surrogate and this raw Roger Corman joint rises to White Lightning-esque levels on the spectrum of “hick flicks”, i.e. better than Gator, not quite Smokey and the Bandit if you’re curious what my scale here looks like.
tl;dr: You’ll enjoy Moonshine County Express if you’re into moonshine-loaded muscle cars and/or a gun-toting Marcia Brady.
Another from Joe Bob Briggs’ HOW REDNECKS SAVED HOLLYWOOD show.
“I can’t shift, I’ve been hit.”
“I’ll drive get out.”
“You can’t drive this!”
“I can drive anything now get out!”
This one has a strong and well utilized cast. After an excellent opening shootout at a moonshine still, the three female leads and John Saxon ward off “the man” over and over. A few good car chases and pissed off women firing rifles throughout, this is a fun one.
Simple and satisfying. John Saxon makes every movie he's in worthwhile and the chemistry between the three girls is great, just be ready for a very southern soundtrack.
When a daughter returns to the hills on the death of her father, she learns he was a moonshiner, and that his death was far from accidental. She and her sisters set out for revenge. 'Good ol' boy' stuff; lots of action.
"Hey, got a Mustang. Wanna buy it?"
"Is it fast?"
"Faster than a dollar massage. Excuse me. It's fast alright. Set it up for myself."
Moonshine County Express is essentially a higher stakes version of The Dukes of Hazzard where the rival moonshine runners aren't above killing their competition and the idiot police are actually trying to their jobs, they're just kind of shit at it. A 21 year old Maureen McCormick plays a 16 year old moonshiner who drinks and shoots and my inner child who will forever remember Marcia Brady fondly was pleased as punch to witness it.
Nice 70s moonshinesploitation (yes I just made that up) with a killer cast (John Saxon, Claudia Jennings, Maureen "Marcia Brady" McCormick, William "Fatman" Conrad). Lots of action and car chases. What seems like a simple premise kind of loses focus but still provides enough excitement to keep the film going.
Is it “good”? Not really. Is it watchable? Sure! I’m miffed no one told me about this one back when I religiously watched The Dukes of Hazzard.
These cheap Southern-fried flicks from the ‘70s aren’t exactly renowned for their positive depictions of women but Moonshine County Express at least puts the work in to make the Hammer sisters relatively interesting and give them more to do than you’d expect. John Saxon makes for a decent Burt Reynolds surrogate and this raw Roger Corman joint rises to White Lightning-esque levels on the spectrum of “hick flicks”, i.e. better than Gator, not quite Smokey and the Bandit if you’re curious what my scale here looks like.
tl;dr: You’ll enjoy Moonshine County Express if you’re into moonshine-loaded muscle cars and/or a gun-toting Marcia Brady.
Who can possibly say no to a cast like this? Susan Howard and Claudia Jennings, as the best looking hillbillies ever, John Saxon as a stock car hotshot and moonshine runner, William Conrad, Jeff Corey and Dub Taylor. Not to mention that it comes from New World Pictures.
Surprisingly the movie doesn't quite live up to expectations, despite an opening sequence in which a rival gang attack a bunch of 'shiners (led by the father of the aforementioned gals), kill them all, steal the whiskey and blow up the entire operation, just to make sure.
After that the girls learn of a legendary stash which was left to them by their father, and do their best to sell it in…
A really fun "Dukes of Hazzard" cash in. The 3 sisters (Susan Howard, Claudia Jennings and Maureen McCormick) kick ass as gun-toting moonshiners and the great John Saxon as the hotshot driver who eventually joins their cause is just icing on the cake.
From looking at the poster and reading the description, you'd think this was yet another 70s sexploitation/hicksploitation movie, but actually it's not at all; instead, it's a relatively well-mannered entry in the country-people-in-fast-cars-running-moonshine subgenre. And the shocking thing is … it's really not that bad. Sure, the camerawork sometimes looks amateurish, and there might not be quite enough car chase action to please the most discriminating of Southern outlaw movie aficionados, but the cast is good, the cars are fast, and I think Marcia Brady cries real tears at one point. Maybe I'm overselling it at three and a half stars, but if you're a simple person like me who sometimes just wants to sit down and watch angry women…
Total drive-in fare. You can watch it, or you can just have it on in the background. Nothing much matters in it.
Passable Burtsploitation programmer made worth the saggy middle by John Saxon and Claudia "Gator Bait" Jennings in the lead roles, plus a host of recognizable character actors. There's also a country bluegrass band that sings, "Grandma’s got syphilis, and Grandpa’s deranged, and all of the children had their sexes changed.” There's worse ways to spend 90 minutes on a Sunday afternoon.
RIP Carmine!
An impressively swiftly-produced Smokey and the Bandit riff featuring John Saxon in the Burt Reynolds role. The whole thing's about as cheap in a production value sense as one would expect, which it more than makes up for by being an extremely fun hang.
Orestes 14,601 films
A few notes:
1) Films missing are mainly hardcore porn and TV shows (Hitchcock mysteries namely). There's a number of…
Michael 2,850 films
The Grindhouse Cinema Database is an online database of cult/exploitation/grindhouse movies from the '30s to the mid/late '80s. I found…
KJKnow 1,815 films
Every feature film on the program at the New Beverly Cinema since Quentin Tarantino took over as programmer. Feel free…
Andrew Liverod 11,869 films
100 Years of Exploitation!
All the films from my exploitation lists, bundled into one mega-super-list-to-rule-them-all!
I had to use a…
Luke Pauli 3,654 films
All the films mentioned by name in Kim Newman's definitive encyclopedia of horror films, Nightmare Movies. Well worth a read.…
byronr 2,494 films
Joel 10,530 films
I recently acquired copies of both Michael Weldon's Psychotronic Encyclopedia and Psychotronic Video Guide and this list is all films…
NarpJay 3,151 films
A fine collection of cinema's underbelly, from trashy horror and grindhouse pictures to creature features, nudie cuties, sexploitation...and a few…
Andrew Liverod 445 films
See my Genre: Exploitation (100 Years: 1896-1995) list for 10,000+ exploitation films! I've also created a load of exploitation sub-genre…
Sarah Jane 🔪 289 films
***We're going mostly dark due to copyright strikes until the end of February. We will still post our regularly scheduled…
Ryan 4,748 films
My main list of 3,329 noteworthy movies on Amazon Prime.
Tell me if you see anything that should be added…
Bart D'Alauro 2,641 films
2600 extra films listed in the back of Peary's book, to be used as an addendum to AKA's extremely helpful…