Synopsis
The films, affairs and struggles of the iconic star of The Blue Angel as told by Rosemary Clooney, Roger Corman, Deanna Durbin and many more.
2001 Directed by David Riva
The films, affairs and struggles of the iconic star of The Blue Angel as told by Rosemary Clooney, Roger Corman, Deanna Durbin and many more.
Burt Bacharach André G. Brunelin Rosemary Clooney Hildegard Knef Beate Klarsfeld Volker Kühn Thomas Langhoff A.C. Lyles Felix Moeller Barney Oldfield Maria Riva Volker Schlöndorff Jamie Lee Curtis Nina Franoszek Marlene Dietrich Lex Barker Jimmy Durante Deanna Durbin Jean Gabin Joseph Goebbels Ann Miller Garry Moore Rudolf Sieber Danny Thomas Lana Turner
Artists Production Group (APG) ApolloMedia Distribution Filmboard Berlin-Brandenburg (FBB) Gemini Film MEDIA Programme of the European Union Ostdeutscher Rundfunk Brandenburg Talent Network Media GmbH Turner Classic Movies United Artists
Despite some enchanting stock footage of Ms. Dietrich singing in front of a red curtain, this documentary wasn’t nearly as interesting as it could have, or should have, been. The film focused almost solely on her involvement with the troops during WWII and the effects it had on her professional and private life. It never delved into her bisexuality or her pension for “man-drag.” And let’s face it, that’s what we all want to know more about. Okay, maybe that's just me.
Marlene Dietrich: Her Own Song (David Riva, 2002) 7/10
The life of an iconic star is lovingly narrated by Jamie Lee Curtis and directed by the star's grandson. All the career highlights - the movies, the concerts, her triumphant role during WWII - are discussed and analyzed by people who knew, lived and worked with her. Interviews with her daughter Maria Riva, musician Burt Bacharach, singer Rosemary Clooney, actress Hildegard Knef, Nazi hunter Beate Klarsfeld and director Volker Schlöndorff all of whom pay tribute to a fascinating woman.
Despite some enchanting stock footage of Ms. Dietrich singing in front of a red curtain, this documentary wasn’t nearly as interesting as it could have, or should have, been. The film focused almost solely on her involvement with the troops during WWII and the effects it had on her professional and private life. It never delved into her bisexuality or her pension for “man-drag.” And let’s face it, that’s what we all want to know more about. Okay, maybe that's just me.
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