Synopsis
Trust your mother's instincts.
A seemingly perfect romance turns dark when a mother becomes convinced her daughter’s new boyfriend has a sinister connection to her own past.
2020 Directed by Rajeev Dassani, Elan Dassani
A seemingly perfect romance turns dark when a mother becomes convinced her daughter’s new boyfriend has a sinister connection to her own past.
Guy Stodel Priyanka Chopra Jason Blum Lisa Bruce Chris Dickie Ian Watermeier Jeremy Gold Kyle Chalmers Anjula Acharia Emilia Lapenta Kate Lavin
Welcome to the Blumhouse, Зурочення
You know a film is going to be highly chaotic when the protagonist is shown to be overly obsessed with horoscope not even five minutes after the film started. Evil Eye is a mystery-thriller film about a superstitious and overprotective mother and her belief that her daughter’s partner is somewhat connected to her dark past. When anything or anyone seemed too good to be true, it probably is, and this film solidified its point by building and confusing the audience on who is in the right. Is the mother just paranoid or is the new boyfriend really evil? The film managed to tackle helicopter parenting, abusive relationships, misogyny, and the typical Bollywood themes of rebirth and karma under its one…
This would probably be quite good if it didn't pretend to be a horror and focused on the mother/daughter dynamic
🚫42%
YouTube review - Click HERE
2020 list - Click HERE
From the melodrama to the Lifetime(ish) tropes used throughout the film, there is quite a bit to call cringe-worthy here. It (unfortunately) does not feel like it fits with this series of Blumhouse films on Amazon. That could be due to a lack of Horror altogether, but it could also be due to a lackluster script. Some of the dialogue here leans far too heavily into obvious-foreshadowing, and it takes away from any surprises the story thinks it has in store for us. The plot revolves around a superstitious mother who is convinced that her daughter's new boyfriend is the reincarnation of a man who tried to kill her 30 years…
Anyone else find it interesting that every one of these Amazon-Blumhouse movies starts or ends with a shot of a newborn baby
This is an atrocity.
As a script, this seems to have begun as a nugget resembling a Hitchcockian climax where eerie secrets dominate a home-cooked meal--not just any home-cooked meal, but one where a young lady introduces her fiancé to her mother. The idea is stupid to begin with. Even as the film lumbers along one pained long-distance phone after another, the director has no idea how to develop this plot. The idea herein isn't half-baked by the time we get to the conclusion, it's still frozen.
It feels as if the scriptwriter began with climactic supper, and then staggered backwards from there writing clumsy scene after clumsy scene, and most all of them obnoxiously involve talking into iPhone mics.…
A mother fights against the "Evil Eye",
As her daughter meets an "evil" guy.
An interesting premise,
Stay away from your ex,
Even with the help of a private eye spy.
Became bored, grew tired and lost track of this one pretty quickly. Not a bad premise but just so boring and dull and just nothing happened. On a positive note it had a great cast who did a decent job with what they had, overall though, I am starting to think these Blumhouse/Amazon collabs are a bit of a bomb
Amazon is trying to prank us by saying this is a horror movie. This is a family drama. It’s boring, predictable, and definitely not scary, unnerving, or thrilling. The actors did the best they could with the script they were given. Watch Nocturne instead.
The film tends to lack tension most of the time as it really just leans into the mother being crazy and overprotective. Then it reveals what it's really up to, but the twist is kind of dumb so it doesn't make you feel any better about what's been going on. It's not really a horror movie either. It's a drama with a twist that doesn't belong in a drama so they called it a horror film. There are worse ways to spend 90 minutes, but this doesn't offer up many reasons to spend your time here. I give this movie a "meh".
I love a mom and daughter story in which they rekindle a bond. The reincarnation of an abuser was a weird plotline but overall added to the fun. Definitely the most fun of the Blumhouse Amazon dump.
I watched this via Blumhouse's virtual premiere doohickey so I had the cast/crew in the chatbox next to film as it played. There was also an interactive virtual DJ, a live tarot reader and a mystery to team up and work out. Nicley done Blumhouse.
I thought it was really interesting; an exploration of a mythology I hadn't previously seen on film with great performances to match.
I would have liked a little more to it, possibly more insight into this entity's motives and an answer to the question "Why them?"
Day 21 of my movies to watch in October list boxd.it/8MlJg 🎃
This was a pretty average movie. It’s very predictable with no real shocks or twists. It didn’t really feel “horrifying” until near the end. It was nice to see some Indian representation though.
This honestly might be the best entry in the series so far and I'm not sure if it's because it was a better story than the rest or just because I love Sarita Choudhury.
"While 'Evil Eye' certainly has many positives, such as the inclusion of South Asian mythology and the element of female empowerment, it fails to categorize itself as a true horror movie"-Sophia LiBrandi
Read the rest of her review in the link below:
emorywheel.com/welcome-to-the-blumhouse-evil-eye-review/
why is it that every love interest i meet at a café who encourages me to quit my job and starts to financially support me ends up being the reincarnated soul of the guy who tried to kill my mom :// soooo toxic
Psychological thriller but without the thrill i think. Story was boring and predictable.
More of a straightforward thriller until it veers hard into the supernatural, Evil Eye is a slow burn with few scares to its name save for the final act. However what works here is the feeling of dread that hangs in the air of every scene, an unseen force that intrudes upon everyday life. The true terror comes from Sarita Choudhury’s Usha as she navigates a world as a survivor of abuse, a trauma she is forced to relive as her abuser has somehow found a way back into Usha’s life in the form of her daughter’s new boyfriend. It works and shines brightest in those moments where Chouhury and Sunita Mani (Pallavi, Usha’s daughter) speak to each other, share in Usha’s past trauma. Can’t wait to see from these filmmakers.
My girlfriend saved a bunch of these Blumhouse-produced quasi-horror movies on our watchlist months ago and we've been knocking them off this week.
This one was easily the best of the bunch. I almost didn't need the thriller/supernatural elements. I'd have been happy watching a drama about this mom and daughter, whose relationship makes the movie.
The Dassani brothers' contribution to the ‘Welcome to the Blumhouse’ film series had a promising premise and was full of opportunity to be something great, but it didn't meet the mark. It must have been a task adapting an Audible audiobook - some aspects of this transition are clever, such as characters speaking through phone conversations. However, despite Sarita Choudhury's strong performance, most of the acting is incredibly wooden, and the narrative is far too slow and unbelievably predictable.
I understood both sides, the daughter for trying to live up to impossible expectations and the mother for trying to protect her daughter from a fucking reincarnated potential murderer.
Man, this one had so much potential, but it never really asserts itself in any ways that ultimately set it apart from the pack. To its credit it’s very watchable, a testament to the four central performances, which are all great. The problem lies in the film’s consistent predictability - it can’t escape the fact that it plays out like a high-end Lifetime original movie. It needed a couple compelling twists to differentiate it, but that never happens. It’s certainly not a *bad* movie, but it *is* a basic one, which is a bummer because it could have really played upon some of its more interesting elements way more in an effort to deliver something unique.
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