Mark Costello

Mark Costello


A bored accountant who can't wait to get home in a day and ignore his wife and child in his home cinema........

Favorite films

  • Alien
  • The Godfather
  • Blade Runner
  • Dazed and Confused

Recent activity

  • Star Trek IV: The Voyage Home


  • Son


  • The Servant


  • Up in Smoke


Recent reviews

  • Luz: The Flower of Evil

    Luz: The Flower of Evil


    A stunningly beautiful meditation on religious zealotry that is rife with rich themes – male power over women, the corruption of ‘purity’ by human nature, emotions and technology, the desperation to find some form of utopia at all cost, etc – and influences (The VVitch and Hagazussa immediately spring to mind) is sadly just too dense and narratively scrawny to really hook the viewer in.

    Check out more thoughts in my blu-ray review over at AVForums:

  • Mr. Klein

    Mr. Klein


    In another world, Joseph Losey’s wonderful 1976 classic would be a riotous doppelganger flick – Alain Delon is a brilliantly amoral art dealer in Paris, casually making money off people in desperate need and thinking nothing of having casual affairs with his best friend’s wives. A case of mistaken identity leads him into a slow, downward spiral of his own obsession with finding out who this other ‘Mr Klein’ is, often to the point of where his judgements around his…

Popular reviews

  • The Shining

    The Shining


    It remains peerless - Kubrick's clinical gaze and style gives everything so much room to breathe, the tension just oozes out of the screen. The polar opposite of modern super-quick, jump scare horror, there are almost no setpieces as we think of them today, more a steady and unsettling escalation of events, where nothing more than a woman reading a few sheets of paper is one of the most terrifying things ever committed to screen.

    That clinical visual style is…

  • Dracula



    Still the utterly fucking insane, FFC-drug-hallucination/Hammer homage it always was.

    Its big, its fucking bonkers and in your face in a way very few films had been and have since. Structurally, its tight as a drum, with the script doing superb justice to the novel's diary-based structure, perfectly capturing all those different viewpoints without ever swamping or overwhelming the viewer.

    And of course the cast is similarly eclectic - from Oldman and Ryder doing a brilliant job of portraying doomed…