Catherine Stebbins’s review published on Letterboxd:
In theory I love the epic race films of the mid-1960’s. It’s a Mad Mad Mad Mad World is a favorite of mine; a farce to end all farce. But that is the only one I like! The Great Race has its moments but is too high-pitched as a whole and this one goes absolutely nowhere. It is steeped in slapstick with machine-driven repetition and it doesn’t know how to create and/or build comic situations. It’s stuck in first gear from all angles and is too attached to the aviation accuracy (which, yes, is pretty cool and Annakin’s knowledge is palpable and evident) to craft a story around the machines. All Western nationalities are brought down to the same level of buffoonery. Well, sort of. The reveal of the Japanese pilot speaking in a perfect British accent is legitimately hilarious. Most other crass jokes fall flat. The American cowboy protagonist is a total buzzkill. But as for the good things, there’s the whimsically animated title sequence, a spunky Sarah Miles, a young (and thus very much a looker) James Fox and…yeah that’s about it.