Favorite films

  • Yi Yi
  • Still Walking
  • Tokyo Story
  • Once Upon a Time in Anatolia

Recent activity

  • Wheel of Fortune and Fantasy


  • Islands


  • Embrace of the Serpent


  • Titane


Recent reviews

  • Achabam



    A visual documentation of a place that's as intimate and private like a diary entry. Reminded me bit of Naomi Kawase's early deeply personal works (shot mostly on Super 8 and 16mm). What Achabam tries to capture - bolstered by sublime music - is not just the materiality of objects within a space, but also the mood or feelings - something delicate as well as fleeting - that prevails in the space.

    Keenly looking forward to your subsequent works Tridisha!

  • Tony Takitani

    Tony Takitani


    Jun Ichikawa's Tony Takitani is said to be the first full-length adaptation of a Haruki Murakami story. I also read that Mr. Ichikawa has earlier adapted Banana Yoshimoto's short novel 'Goodbye Tsugumi'. I find this particularly intriguing because these are quiet yet complex emotional tales that can't be easily transitioned into film form.

    Ichikawa's Tony Takitani will be largely memorable for cultivating the essence of Murakami's style into the screen. It''s beautiful haiku aesthetics and stellar performances comes close to…

Popular reviews

  • Even Fake Flowers Have Scent on Happy Days

    Even Fake Flowers Have Scent on Happy Days


    The one thing that immediately strikes you about Shubham's 'Even Fake Flowers Have Scent On Happy Days' is the brilliant and precise use of space. Loosely based on Murakami's lesser known yet interesting short story, "Kangaroo Communique', this short film is about a young man, recuperating after certain emotional aftereffects and trying to reconnect with or comprehend the world around him. And the tool he uses for this is intriguing. However, the challenge for first time filmmakers is finding a…

  • Naseem



    Saeed Akhtar Mirza's meditative and poetic movie is set in the year 1992, the year that changed India forever after partition (released in the same year as the lurid drama 'Bombay'). Set in an atmosphere of distress and fear, the narrative explores the beautiful bond between 15-year-old Naseem and her bedridden grandfather (played by Urdu poet Kaifi Azmi) - both helplessly watch their society getting increasingly divided along the communal lines.

    The film is not a blast from the past,…